Doing the Hongi

No, this isn’t a FanstRAvaganza post but another interruption, because frankly, I can’t help myself.

I’ve talked about RA’s voice and his ear and the wonderful vibrations, and I even posted a little sample of what Thorin may sound like, but aren’t any of you really curious about what’s going on in New Zealand?!! Oh, I want to know! Where is he exactly? What is he doing? Which way did he go? Huh?

Perhaps there will soon be some more photos or at least some words. I know several are hanging on the tweets of Robert Kazinsky and the blog pieces and flickr from Ian McKellen, and maybe a few other things floating around or on the periphery of RA universe. Those have all certainly been treats. I’ve absolutely loved them, but dammit! I want some hard news about RA! LOL! I haven’t gotten any since the cricket match fundraiser and the picture with Vicki Treadell, the British High Commissioner to New Zealand.

I did recently read that ‘The Hobbit’ cast participated in a powhiri or Maori welcoming ceremony the day filming commenced. I knew a little bit about the ceremony since a close friend of mine spent a month in New Zealand a couple of years ago. Actually, I just knew it was a welcoming ceremony, and that’s about it. LOL! So I went in search of info but became a little confused as there was so much terminology to learn. Thankfully, I found a very clear write-up of the parts of the powhiri:

* Kawa – customs or protocols for greeting visitors. These introductory instructions are first given to the manuhiri, or visitors, such that they may be guided “safely through the spiritual and physical realms,” and so “they understand what is expected of them”10.

* Taki (or wero) – a challenge is presented, where warriors appear to determine the intentions of the visitors. If the visitors’ intentions are peaceful, the warriors present a rautapu, or some sort of symbolic peace offering, which the visitors “nod and acknowledge that [they have]… received it”11. Once this is done, the warriors guide the visitors into the sacred marae.

* Karanga – the vocal call of a female begins which will be a kind a purifying preparation or “clear a spiritual pathway between the hosts and visitors… acknowledging the spirits of all our ancestors who have passed on into the veil of the world, without end.”12. It is a type of call to the Maori and visitors’ ancestors.

* Karakia – a prayer or blessing is offered to the gods to “bring everyone together. Asking assistance of a superior being to give spiritual protection to all those who are participating in the powhiri”13. This is a type of demon or devil cleansing such that everyone may be “free from any destructive spiritual influences”14.

* Mihi – formal greetings and identification of who you are. It is a recitation of your ancestors, history, family line (genealogy), and your relationship to one another. These details were often only known by oral transmission and memory.15

* Waiata – a spiritual song is sung. “Traditional waiata of the ancestors were often aligned with spiritual
events, which could include supporting karakia or prayer to evoke supernatural forces”16.

* Koha – the act of gifting, in a very honorable, dignified, way. Traditionally this was done by offering assistance in the gathering of food, or taonga, treasures. Today it is usually a monetary-type gift. 17

* Hongi – the unique and very sacred Maori physical embrace wherein the two sides become one. “The hongi is the traditional greeting of nose pressing. It is the exchange of the ha, or breath of life… This greeting makes the visitor at one with the tangata whenua [hosts]”18. “The most sacred part of the Maori is this portion here – the face and head. When you make contact with a fellow human, it’s the embracing, the light touching of the noses. Because you’re now dealing with the most sacred part of the person. It’s the essence of life to mankind. Where else does the breath of life enter man?”19. This is the portion of the ceremony in which the breath of life is exchanged and intermingled between host and visitor, and makes the visitors one with the Maori, ready to share in all responsibilities and duties. This tradition is said to have come “directly from the gods”20. “In Maori folklore, woman was created by the gods moulding her shape out of the earth. The god Tane (meaning male) embraced the figure and breathed into her nostrils. She then sneezed and came to life. Her name was Hineahuone (earth formed woman)”21. Sometimes this embrace in the ceremony also includes the hariru, which is a handshake between hosts and visitors, and even a kiss or hug. One website describes it thus:

Direction will be given for manuhiri to go forward to hariru/shake hands, hug or hongi with tangata whenua. Whether you hariru, hongi, hug or do all three is entirely up to you at the time. We trust people will feel culturally comfortable whatever their choice. The action of performing hongi is associated with the hariru. The two people shake hands, each using the right hand. At the same time the left hand maybe placed on or near the other person’s shoulder. The head is bent, the eyes closed, and sometimes foreheads touch as noses are pressed. Some choose to press once and some twice – both ways are of equal significance. Invariably, tangata whenua will indicate their kawa/ways by example. It is appropriate to say “tena koe”/”hello to you” or “kia ora”/”greetings” as part of the greeting. In this greeting our ancestors meet as we meet and together we share the breath of life. This physical contact between manuhiri and tangata whenua completes lifts the waewae tapu/sacredness of first time visitors, allowing us all to be one, as tangata whenua for the duration of this Gathering. The running of the marae, for the time of our stay, is now ours to share.22

* Hakari – ritual feasting and sharing of traditional foods in a banquet to finish the binding together. “At the conclusion of that you are finally part of the family. And it’s a very happy occasion. And you can feel it. There’s a warmth in the room amongst everyone”23………

* Poroporaoki (or Mihi-whakamutunga) – final speeches and farewell. It is the returning of the esteem and authority of the Maori hosts back to them. It is a time of reflection on becoming one or a part of the Maori people.

(emphasis mine)

As I was surfing around, it was hard not to realize the importance of the powhiri and in particular the hongi to the Maori:

Essentially it’s the moment the hosts and visitors become one, and I remember my friend telling me how powerful it was to observe.

The Hongi:

Of course eventually I was burning with curiosity to know how RA fit into all of this, and it was almost as if my thoughts were heard and someone took pity on me. I received a note from someone in a position to know something about what went on, or maybe they have only inflamed me some more? :D

To be the leader of the visitors is pretty intimidating – you have to maintain eye contact and yet be diplomatic. Plus to speak Maori in a public occasion is tough. But Richard was the one who replied for the whole cast and even spoke Maori in his reply. Very impressive.

Yes, I think I’ve definitely been inflamed. LOL! My mind is working overtime to imagine him speaking Maori and being honored to represent the cast! Is there any doubt that he did his homework on the powhiri? Yes, that’s what I thought; he definitely was prepared. This is what is so lovely about him — he actually has a wonderful brain and uses it. Thank you, Richard!

I hope some photos emerge to confirm what I’m saying and to help along the wonderful picture in my head. Whatever the case, this is fun to imagine.

Edit: And it turned out to be true! :D More on that here.

All photos are in the public domain.

I’m Scaring Myself

I was watching the Cats Rehearsal videos, and I swear I recognized Richard Armitage immediately. Maybe I do feel maternal towards him. Really, someone please slap me for even going here. I’m not old enough to be his mother!! But well, I can do this with my kids. I’ve even amazed myself at times, and SO thinks it’s hilarious how I can recognize them from very faraway and even in really dim light. One time we were driving down the road, and way off in the distance we saw someone walking towards us, and I casually said, “There’s our son.” He laughed and said, “No way you can tell from this distance.” Of course I was right. I’m always right about this. :D A mother’s instincts are eerily correct. Anyone who’s a mother and recognizes her own child’s cries knows exactly what I’m talking about.

Interestingly, I was not the least maternal before I had kids. I mean I could have cared less about them. I didn’t even think they were cute and never liked holding anyone’s baby. I’m still not big on that. I was so unmaternal that it made me hesitant to have children. There was a fear in the back of my mind and sometimes in the front of it that I would be a lousy mother. But oh my gosh! that hormone was bigger than I was, and crashed over my head to magically transform me into a momma!

I’m not quite sure what’s crashed over my head to make me so aware of Richard Armitage’s movements, but a couple of years of watching him might have something to do with it. LOL! Actually, as of a few weeks ago, I passed the three year mark. So Servetus, now you know what the beginning of year four looks like. :D

Check out the guy who jumps onto the middle of the stage at the beginning of this clip. He’s really big and tall, has his hair in a ponytail, and he has on what looks like a blue tank top.


Watch on YouTube

In case you missed him, you can see him again in this one below. He’s on the left at the beginning of the clip. He does run off camera at one point, but then he comes back with a vengeance. He’s so big you can’t miss him. Oh, it’s a thing of beauty!


Watch on YouTube

If you’re still not sure, maybe the screencaps will convince you. Do I even need to point him out? I mean really. It’s so obvious. Or maybe I’m seeing things?

Seriously, do I need to draw some arrows? I didn’t think so.

Isn’t this a beautiful shot with his arms thrown up:

And of course I could be wrong about this, but I don’t think so. :D

edit: I have a slew of screencaps if you need even more proof.

It’s Never Too Late (unless you’re dead)

Much has been made of Colin Firth’s performance in “The King’s Speech” and I have no doubt it is deserved. I’ve been a fan of his ever since my good friend, Mimi, turned me onto ‘Pride and Prejudice’ back in the 90s. A few months ago when I was first hearing about the movie, I went in search of some information and stumbled onto an article about the writer of the screenplay, David Seidler. I just fell in love with Mr. Seidler and had intended to watch the Academy Awards, which I haven’t done in years, in hopes of seeing him. Since I was traveling that evening, it was not possible. But thankfully, he won, his speech was loaded to YouTube, and I was not disappointed:

Of course his story of George VI’s struggles and his own struggles with stammering have inspired many who have had their own speech issues, and I really appreciate Judiang sharing how it’s affected her. But Mr. Seidler is also an inspiration to anyone seeking to do something later in life when others may have written them off. I have to write him a fan letter!

Dear Mr. Seidler,

Thank you for that wonderful speech at the Oscars. It was just right. Thank you for being so humble and witty and real. What a powerful combination. If I were single, you would be a temptation despite our age difference. :D But mostly, thank you for not giving up on your dream.

Sincerely,
A newly devoted fan

For further edification:

Confessions of David Seidler, a 73-year-old Oscars virgin

Screenwriter David Seidler: ‘Being a stutterer puts a cloud over childhood’”

“Proud of his Dad’s work (but tried to talk his father out of writing TKS)”

Tangent — Micro Expressions and Beyond

Sorry to inflict my geek moment on you, but I can’t help myself, and if you’re into screencapping Richard Armitage, this might be of interest.

Last spring I was reading about an HD cinematic camera which could shoot frame rates at 100 times the usual. So what does all of this mean and why should you care? There are things that can now be seen which before could only be consistently captured with scopes (decidedly less detail than a camera) or speculated with mathematics, and usually that is so abstract for most as to be inconceivable and therefore blown off. But enter the Phantom Flex, and thankfully, as of a few weeks ago, there is now some fantastic video to show exactly how precise this camera can be.

I realize some may not be that impressed with this, but that’s because you have probably not watched much slow motion video. Most of it is a lot more blurry than this video above, so the detail in this is amazing. For any of you who have made screencaps, you know how frustrating it can be to fight the blur. Can you imagine the screen capture ability with this kind of video?! Mind boggling. It captures such detail that it’s like seeing the forbidden. Should be interesting to see what is unearthed from coming films.

And Richard Armitage just thought we had him under a magnifying glass. LOL!

If you haven’t already done it, watch that video in full screen mode.

And if you’re not a geek, I’ll throw in a picture to make reading this worth your time.

The guy who started it all:

Screencap courtesy of RichardArmitageNet.Com

I Keep Forgetting

I keep forgetting that all of you who read this blog are not part of the rabid fans like I am. Oh, I know some of you are exactly like I am and could write this blog — meaning you could keep it supplied with the information over which so many salivate. Case in point is Richard Armitage leaving the Old Vic. I’ve long since looked at the YT clip of him leaving the theater after the plays. I figured anyone who read this blog had already looked at it too. But I was wrong. I’ve had emails and Facebook messages asking me about any word on footage or pictures of him at the theater, so here it is:

I love the YT user’s name, smartandcleverlass. Yes, she is, and I appreciate her grabbing this candid shot for all of us to drool over. But as I started to drool, I have to confess I had some hesitation. I began to feel sorry for RA, and the crap he must go through. His acting is wonderful, and I’ve already said I would love to see him on stage. That would be the ultimate experience of his acting for me. But I really can’t see myself following him out the door to take a shot of him with my phone. Maybe I sound like a hypocrite and one day may prove myself a liar, but I know my gut would be screaming: NO, DON’T DO IT! leave the guy be. Or perhaps I’m just a coward.

But enough of my conscience rearing its ugly head. Oh hell, I would just like a chance to find out if I would have a conscience. It would be a dream to go to one of his performances, but ever lurking at the back of my mind is this question: would I wait at the stage door to see RA afterward? I honestly don’t know. As I think about it now, I would feel like a fool doing that. No, I wasn’t kidding when I said I have too much pride to posture as a fangurl in public. I just can’t see it, but then I might let myself get caught up in the hysteria and do it anyway. Man, I am a coward.

I was talking with a fellow Armitage lover this evening, and she asked if I would go to the stage door if she dragged me there, and I said, “Of course, ’cause then I could blame it on you.” :D

Sometimes I wonder if I should have named this blog ‘The Reluctant Fan.’ That really is the best description of me, but I think that domain name was taken. All I know is I have fought this from the beginning and still fight it. I mentally slap myself about once a week. So my post about still stopping is describing a frequent occurrence. Maybe I shouldn’t write this post, but I must do it to at least fool myself into thinking I’m still sane. Momma didn’t raise a fool, so I’m trying to make her proud, but then Momma would go to the stage door. LOL! Maybe I should stop fighting my genes? Either that or take up drink. No, that will never happen. I’ve been too up close and personal with alcoholics, and that, my friends is about as revealing as I’m going to be on this blog.

Screencap courtesy of RichardArmitageNet.com

Some Refreshment Before The Drought

Richard Armitage is at the Old Vic Theatre today where he’s participating in an annual charity event to raise funds for the arts. He’s part of a troupe of actors performing in the 24 Hour Plays. I heard about these years ago when they started on Broadway, and it’s always been my plan to go. The dynamic of these plays sounds fantastic. The goal is to write, direct, rehearse and perform six one-act plays within 24 hours. The Old Vic Theatre has a channel on YouTube, and I was able to see a little of what goes on:

I’ve always been fascinated with creativity under pressure and would love to be a fly on the wall during the preparation for these plays. It would be wonderful to watch them coming together, and of course I would love to see the finished product. For those of us who aren’t going, there is still a way for us to see something. Ali at RichardArmitageNet.Com will be providing some clips from The Culture Show, which will recap the highlights this Thursday, 11/25. Thank you, thank you, thank you, Ali.

In the meantime I will try to keep my feelings of extreme jealousy for a certain Twitter user in check. If I were in London, her ticket might not have been safe. But she soothes my terrible feelings with updates that will stave off my thirst for a while. :D

And on a related note, I LOVE the music on the 24HourPlays website. B.B. King (or someone who sounds a lot like him) is never a bad choice. Unfortunately, I think the site is just for this side of the pond. C’mon, the Brits need a site too, guys!!

edit:

Maybe a certain Twitter user will give us a report of her activities tonight. :D Stay tuned. I’ll be sure to let you know where it can be found. Good chance it will be on RichardArmitageNet.Com, so you can certainly be checking there as well.

Moving Right Along — SPOILERS

Spoilers for Spooks Series 9 and maybe Spooks 2 and 3.

I’m mostly over my disappointment of Spooks Series 9, but I would not have had such high hopes if it weren’t for Richard Armitage. When I know he’s in a cast, his investment in characters raises the bar for me. This was certainly the case with this show the last few series. But earlier I had let my expectations of Spooks slide after the first couple of episodes of Series 3, aka the final resolution of Tom Quinn. A commenter on my last post describes the effect well:

what…I have seen of the last 9 seasons, shows me they REALLY struggle with character development. The personal story arc leave much to be desired. For those that love Spooks, the weak character story arcs are fine. They do JUST enough to support the action, and that is enough for them. For me… it leaves me unsettled.

It seems unsettled might be the point. That is indeed how I’ve felt through most of Spooks, and being unsettled addicted me to it. I was continually in search of something to satisfy. Yeah, I was totally manipulated by the producers of this show for awhile, but I was growing weary of it until Richard Armitage was announced as a cast member in Series 7.

With the advent of Lucas North, I was relieved and my expectations were raised again and then some, and by the end of Series 7, I had a lot of hope for a great story. Richard joining the cast appeared an opportunity for Spooks to go way beyond what they had done before since they now had someone who could really pull off conflicted characters in a way Matthew Macfadyen has never even come close to doing in any of his pieces. No offense to Matthew. I appreciate his acting, but he’s no Richard Armitage.

And now we all know it wasn’t meant to be. The show is what it is, and the character of Lucas North is a miss for Richard, which is in no way a slap to RA. He did what he could with what he had. I think many of us are agreed on that. I just hope he was taking notes — not just on the artistic aspects of this show but on the business end, and more specifically on the bullshit that goes on behind the scenes. How can I know that? Are people and money involved?

Richard,

I believe you took notes on the bullshit and that you’re still taking notes. It’s figuring out the bullshit that’s a big part of getting something done. But I’m sure I’m not telling you something you don’t already know, or maybe I’ve strayed into what Servetus calls “B” or maybe “A” in Armitage Epistemology. I stray so boldly because my bullshit detector is sensitive enough to realize when someone else has a bullshit detector. And well, actually, I have the track record to prove that, but that’s another story.

For now the beauty of someone like me writing this stuff is that you don’t have to say it. You don’t have to call bullshit yourself. Let your fans say it for you so that you can maintain good ties with some of those same people who were involved in the crap that was Spooks this series. I realize you can’t burn bridges, so let us rail against this for you. Hey, I’m a business person, so I know how important it is not to ever burn a bridge. It may be an escape route someday or a great road to somewhere else. It’s funny how some of the crappiest experiences can put us in touch with people who become great assets. I’m sure you’ve learned that lesson by now. Good!

All of that and the fact you’re not spending much of your money means to me that you will eventually have your own production, and as much as I love your acting, I can’t wait to see what you’ve got. If it’s about Richard III, that’s great. If not, that’s great too. I don’t really care.

In the meantime, I’m glad to see you’re going to be in the movies and now free of serialization. You are better suited to vehicles that have a beginning, a middle and an end. I can hardly wait!

Take care, and speaking for many other fans, please know that we’re all so proud of you,

One of your crazy fans (crazy like a fox)

A picture of Richard listening to obvious bullshit:

I cannot tell you how good it feels to write these fake fan letters. Yes, I’ve said that before, but it bears repeating. I get to relieve my angst and peddle my bullshit, and no one is hurt. At least I don’t think anyone is hurt — except maybe the writers of Spooks in this case.

Note to the writers: sorry guys, but this one really wasn’t a good a series, and I think you know that. But I’ll keep watching ’cause I’m still addicted.

And before I go, another picture of Richard listening to bullshit. I had to post this one because it’s so cute, and I love it when he has an amused look on his face:

If you haven’t seen the interview this is from, you can go here and here thanks to Heather.

Screencaps courtesy of my stash.

edit: I would have a tag called “bullshit,” but then I would be tagging most of this blog.

The Next Day

In my last post I mentioned my gut is rarely wrong, and iz4blue wanted to know what I was talking about. Below is a post I was planning to make the day after RA’s birthday but didn’t because I really am trying to stay out of the guy’s head, and I just never got around to finishing it to my satisfaction. Then I was reading Peter Jackson’s “defense” of RA being cast, and it came to me that Peter Jackson and I may have the same “gut.” :D

My previous, unpublished post:


RA’s Diary

Entry — August 23, 2010:

40 is less than a year away, and I got a late start. That’s what everyone keeps saying, and I’m tired of hearing it, but I understand. Thankfully 40 is practically the new 20. But in this profession 30 is sometimes the new 40. I get it but it’s a distraction.

End of Entry


It seems we’re continually told that actors in their 30s just coming to our attention are late bloomers. If it is not always said expressly, the media’s attention on actors in their 20s seems to send a strong message. I was thinking about this and glanced up at my blog’s header picture, which has always reminded me of another actor whom I really like, and he was not a spring chicken when he first made it big. He was 43.

The whole issue of the late bloomer is fascinating. No one sets out to be a late bloomer but rather circumstances conspire against them. However circumstances may frustrate their desires, oftentimes they are so intent on something else, that circumstances be damned and sometimes conventions flouted if need be. It is this sometimes maniacal focus on something else which usually makes them so beautiful. For Viggo Mortensen it’s about artistic expression. He reminds me so much of RA, or I guess out of respect for Viggo’s age and success, I should say RA reminds me of Viggo.

Viggo makes an excellent point about artistic expression. “It’s a way of living,” and it should be honest like a child. For me it’s the continual succumbing to the need for honest expression that’s so splendid to watch, and yes, everyone has the potential to be an artist. Getting at the truth is the key, and that requires a fearlessness that always gets my respect. This demand for honesty is certainly what makes RA’s performances so compelling and sometimes startling. The ring of truth is always sublime.

I love that he is also so startlingly honest when interviewed:

‘I don’t put it about. Never have. I’m a late developer in everything. I have a fast mind and fast metabolism, and I’m an intense worker, but in terms of life development I’m way behind.’

You know, I wonder if being a late starter isn’t the key to Armitage’s vast appeal. By the time we first clapped eyes on him as John Thornton, he was already a proper grown man, in sharp contrast to all those snub-nosed pretty boys who pass for movie stars these days.

Read the rest here.

Yep, Allison, I’ll take the man who has found his voice over the boys who have yet to say anything interesting, and I thought this when I was 20.

If anyone reading this is an RA fan and has not read Allison’s article, get over there quickly and do so. It’s a real treat and is definitely one of my favorite articles on him. I also just happen to love many other articles of Allison’s even if she’s not politically correct for some of you. LOL!

Until someone comes along who has the ability to bring Richard Armitage to the attention of the rest of the world, I’m content for RA to focus on what he will.

Enter Peter Jackson, who apparently recognizes the kindred spirit of an artist. So it’s not just about eye candy. Although I give Peter Jackson credit for understanding how to get a movie made. It requires energy and money. You don’t make such big budget pictures unless you understand how to generate both. In an Entertainment Weekly interview he “defends” his selection of Richard Armitage. Oh brother. I say that affectionately! Anyone who thinks that’s actually a defense needs to think again. RA is almost a virtual unknown outside the UK. Peter has to do something to get his name out and in a way that creates buzz. How better to do it than to respond to doubts from LOTR fans about him being cast. Pardon me if my jaded self isn’t buying the “controversy.” But hey, whatever it takes, Peter. Whatever it takes! I’m behind you.

And I assume RA is taking notes for his future big budget project. :D

note: I only have two problems with my gut: 1) I don’t heed it enough; 2) when it’s wrong, it’s very wrong. LOL!

edit: In case it’s not clear, the RA Diary entry is a fake. Yes, my friend, it’s about as fake as it gets. That’s why I have a tag called “Fake Diary.” But I put this edit here for the action fans who may need it spelled out. ;-)

They Won’t Know What Hit ‘em

The recent news that Richard Armitage is cast in ‘The Hobbit’ has some speculating about his abilities, and for some he comes up wanting. As a former skeptic of Mr. Armitage, I don’t care what they think. Once they actually watch him in action, all that negative talk will be a thing of the past. Oh, I’m sure there will be a few naysayers. Aren’t there always? But those aside, most will be pleased with his performance. The guy can pull off just about anything. I have yet to see him in drag, but somehow I feel sure he could pull that off too. LOL!

Now where was I?

Oh, yeah, RA was cast in a big budget movie!!! Someone slap me ’cause I think I’m dreaming. But really it makes sense. He’s just that good. Am I biased? Damned right, but it’s my gut that dictates it, and rarely is it wrong. Sounds arrogant I know, but it’s true. You can ask SO, but then I’m keeping SO to myself, and he doesn’t get to read this blog and interact with any of you here. I just get to talk about him. Along with talking about Richard Armitage.

For anyone new who has landed here out of curiosity about Richard’s work, you can see several different clips on my “Who’s Richard Armitage?” page or at RichardArmitageNet.Com, aka the mother lode, or if you’re in a hurry, you can watch a showreel of his work:

Showreels courtesy of Elvira Sweeney and uploaded here with express permission.

Namor or Nazi?

I had a post ready to go about RA possibly being Namor in Captain America. But it seems after watching the recent footage of the filming of a gunfight in New York (aka Manchester), a man looking and running very much like RA appears to be a baddie, which means it can’t be Namor. I’m reasonably sure of this since reading up on the characters. Also, it doesn’t appear that he can be Namor if he’s just in a shootout (see clip below). I could be completely wrong about this, but after reading a few comic book sites, that’s what I understand.

However, it’s possible that RA is a Nazi henchman named Heinz Kruger. Deadgummit! That means he won’t be in the movie very long if he’s Kruger, and it also means I can’t go to town on the character. If I were more convinced he would play Namor, I would be prepared to go on and on about this character who comes from a fictitious race of people, is the first known comic book anti-hero and bi-polar to boot. Oh, great fodder for this blog! But it’s not to be. (I’m shaking my head as I write this. I hope RA knows he has some really rabid loyal fans out there who will even talk about comic book characters when they CAN’T STAND that stuff. Before now I’ve often imagined guys who were into comic books as the same ones who sat in rooms alone and did things to themselves that I can’t mention on this blog and still keep it “safe for work.”) Making light of a Nazi is not nearly so much fun. But if I had my clever hat on today, maybe I could have come up with a little ditty like “Springtime for Hitler” to describe Kruger. (Thoughts of an Argentine Tango dance in my head. Yeah, I know it doesn’t fit; I would have worked it in somehow.) But I’m not so clever today. Heck, I’m doing well to post this.

When the action starts, check out the man in the light gray suit who runs and jumps into car on the far right of the screen:

If you’re wondering if this is RA, then check out this screencap posted by kadamanja on yesterday’s blog piece:

Screencap courtesy of Cesta (C19)